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BBC HomepageSkip to contentAccessibility HelpYour accountLiveNotificationsHomeNewsSportWeatheriPlayerSoundsBitesizeMore menuMore menuSearch BBCHomeNewsSportWeatheriPlayerSoundsBitesizeCBBCCBeebiesFoodClose menuBBC NewsMenuHomeIsrael-Gaza warCost of LivingWar in UkraineClimateUKWorldBusinessPoliticsCultureMoreTechScienceHealthFamily & EducationIn PicturesNewsbeatBBC VerifyDisabilityWorldAfricaAsiaAustraliaEuropeLatin AmericaMiddle EastUS & CanadaHaiti gangs torch police stations as PM’s future hangs in balancePublished44 minutes agoShareclose panelShare pageCopy linkAbout sharingImage source, ReutersImage caption, More than 15,000 people have fled their homes in the last week due to the violenceBy Vanessa BuschschlüterBBC NewsGangs pushing for the ouster of Haitian Prime Minister Ariel Henry have been setting fire to police stations in the capital, Port-au-Prince. The police station located in the busy open-air Salomon market is the latest to be targeted, according to local media. The gangs in the violence-wracked city stepped up their attacks when Mr Henry left for a regional summit last week.The unrest has paralysed air traffic, which has prevented his return.Mr Henry attempted to fly back to Port-au-Prince on Tuesday but ended up in the US territory of Puerto Rico instead. He could not land in the Haitian capital because its international airport was closed as soldiers repelled attempts by gunmen to seize it. Civil aviation authorities in the neighbouring Dominican Republic also turned the prime minister’s plane away, saying that they had not been provided with the necessary flight plan.Mr Henry has not given any public statements since he visited Kenya, where he was trying to salvage a deal for the African country to lead a multi-national force to help restore order in Haiti. Gangs in the capital took advantage of his absence to unleash a series of co-ordinated attacks.How gangs came to dominate HaitiAmong their targets was the airport – which they want to control to prevent Mr Henry from flying back in – and two prisons, from which they freed thousands of inmates.They have also set the peace court in Croix-des-Bouquets on fire and looted or torched more than 20 other buildings, according to a tally compiled by The National Human Rights Defense Network (RNDDH).At least six police officers have been killed while the National Police Academy has also been destroyed.The bodies of several prisoners were also left lying on the streets after the storming of the National Penitentiary.The violence has caused Haiti’s humanitarian crisis to deteriorate even further.Image source, ReutersImage caption, Gang leader Jimmy “Barbecue” Chérizier has been holding news conferences as his G9 gang alliance has attacked key buildingsAid groups estimate that more than 15,000 people have fled their homes in the past week.The UN’s Humanitarian Co-ordinator in Haiti, Ulrika Richardson, told the BBC’s Newshour programme the situation on the ground was “extremely dire and very alarming”. “We have big parts of the capital paralysed: schools are closed, many hospitals have had to close, either because of a lack of equipment or simply that staff cannot get to work,” she said. The gangs have not said what their aim is beyond the ouster of Mr Henry. Jimmy “Barbecue” Chérizier, a former police officer who leads an alliance of gangs called G9, has threatened that if Mr Henry does not step down there will be a “civil war” which he said could end in “genocide”.Caribbean nations as well as the US have urged Mr Henry to take steps to “finalize a political accord”.Irfaan Ali, the president of Guyana who is currently chairing regional body Caricom, said there had to be “a political solution to anchor any stabilization of security and humanitarian efforts”.In a video message, Mr Ali said that Caricom had not been able “to reach any form of consensus between stakeholders in Haiti” despite round-the-clock efforts to get the government and key figures in the opposition, private sector, civil society and religious organisations to agree on the way forward.Related TopicsHaitiAriel HenryMore on this storyHaiti gangs threaten ‘civil war’ as unrest spreadsPublished17 hours agoHaitian gangs try to take over capital’s airportPublished1 day agoTop StoriesLive. 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[ad_1] In a video message, Mr Ali said that Caricom had not been able “to reach any form of consensus between stakeholders in Haiti” despite round-the-clock efforts to get the…
![BBC HomepageSkip to contentAccessibility HelpYour accountLiveNotificationsHomeNewsSportWeatheriPlayerSoundsBitesizeMore menuMore menuSearch BBCHomeNewsSportWeatheriPlayerSoundsBitesizeCBBCCBeebiesFoodClose menuBBC NewsMenuHomeIsrael-Gaza warCost of LivingWar in UkraineClimateUKWorldBusinessPoliticsCultureMoreTechScienceHealthFamily & EducationIn PicturesNewsbeatBBC VerifyDisabilityCultureOscars 2024: Are films now ‘too long’ as Hugh Grant suggests?Published7 hours agoShareclose panelShare pageCopy linkAbout sharingRelated TopicsBafta AwardsImage source, Getty ImagesImage caption, Christopher Nolan’s three-hour nuclear epic, Oppenheimer, starring Cillian Murphy (right), may dominate the Oscars this weekendBy Alex TaylorBBC Culture reporter”Oompa-loompa, doompity-dee, now the best director categor-ee. Oompa Loompa doompity-dong, most of these films were frankly too long.”Fresh from starring in Wonka, Hugh Grant’s (life-size) onstage appearance at the Baftas not only saw him revive his inner Oompa Loompa when delivering the award for best director, but also openly question the length of this year’s awards season contenders. He may have been thinking of the evening’s eventual winner, Christopher Nolan’s three-hour epic Oppenheimer, which is also expected to sweep the Oscars this weekend.But three of the five other Bafta nominees – The Holdovers, Maestro, and Anatomy of a Fall – likewise Oscar contenders, also clock in at over two hours each. Image source, Getty ImagesImage caption, Hugh Grant revived his inner Oompa Loompa to swipe at film runtimes when delivering the Bafta award for best directorGood thing, perhaps, that Grant didn’t have to confront Martin Scorsese’s American introspective, Killers of the Flower Moon, an Academy favourite despite its 3hr 26min runtime – the longest of this year’s best picture contenders.But are this year’s nominated films part of a (growing) trend? If so, what does this mean for audiences, cinemas and directors?From intermission to toilet dashA rainy afternoon trip to the cinema may have reliably lured families, couples and single souls for decades, but film durations have fluctuated throughout this time. The sense of screenings themselves becoming an all-day event can first be traced back to the 1960s, as directors revelled in a golden age for the silver screen. Lawrence of Arabia ran beyond three-and-a-half hours in 1962. Cleopatra, released a year later, originally stretched to four before being cut down. Intermissions were central to this experience as projectionists transferred over physical reels, giving audiences a natural rest break for the loo and the chance to buy ice cream.Image source, Getty ImagesImage caption, British director David Lean filming Lawrence of Arabia in 1962But advancements in projector technology saw this staple of movie-going phased out by the early 80s, with 1982’s Gandhi thought to be the last major western feature to include an intermission as standard.In the intervening decades, film lengths have steadily increased, quite literally keeping audiences in their seats. Phil Clapp, chief executive of the UK Cinema Association, told the BBC its members are engaged in “ongoing discussions” with studios, distributors and others relevant parties about potentially reintroducing “structured intermissions”, possibly for films lasting three hours or more.An analysis by The Economist of over 100,000 feature films released internationally since the 1930s found current popular movie runtimes to be the highest on record.And there’s been a significant spike in recent years. Statista research across the decades reveals that, on average, the highest-grossing movies in the US and Canada have grown by around 30 minutes since 2020 alone, hitting 2hrs 23mins by 2023.Image source, Getty ImagesImage caption, Martin Scorsese (front) with some of this year’s other best picture directors, including Christopher Nolan (centre right) and Greta Gerwig (second left)It’s not only franchise blockbusters that are responsible (yes, Indiana Jones, John Wick and Avengers: Endgame, we’re looking at you), but Oscar nominated films. Avatar: The Way of Water, 2023’s longest best picture nominee also hit the three-hour mark.”We’ve seen epic filmmaking do well at the Oscars in every decade,” says Karie Bible, box office analyst at Exhibitor Relations. “The very first film to win best picture in 1927 was an aviation epic called Wings that ran for two hours and 24 minutes.” “Epic films often mean epic storytelling,” she explains. “These films are larger than life and often encompass a long, developed story that ask people to be emotionally invested.”But this artistic rationale is being pushed to its limits – with audience bladders left bursting as directors are empowered like never before.Streaming ‘Cold War’The Cold War between streaming and cinema over the past decade has made the name behind the camera almost as coveted as any A-list actor. As streaming services vie with Hollywood for credibility and prestige they’ve thrown huge amounts of money at directing talent – often far outmatching anything a legacy studio can offer – with success. Before Scorsese partnered with Apple for Killers of the Flower Moon, he turned to Netflix to fund his Oscar nominated three-and-a-half-hour mob movie The Irishman, telling the BBC he “couldn’t get financing” from Hollywood to match his ambition.This video can not be playedTo play this video you need to enable JavaScript in your browser.Media caption, “We could not get any financing” from Hollywood, says Oscar-winning director Martin ScorseseThe template has similarly tempted David Fincher, Rian Johnson and latterly Ridley Scott – who has hinted at releasing a four-hour cut of Napoleon on Apple TV, despite his original version already being nearly three hours.The dynamic can weaken producer control and inflate runtimes. In his podcast review for Killers of the Flower Moon, Mark Kermode explained: “We hear stories about… people making films for studios for theatrical exhibition, then you end up having fights with the producers about [length]. If you’re a streaming service, they don’t care.”Image source, AppleTV+Image caption, Killers of the Flower Moon, starring Lily Gladstone and Leonardo DiCaprio, chronicles the Osage Nation murders over oil on tribal landThis challenge comes at a hefty price for traditional film studios, at a time when tinseltown is having to find a delicate balance between squeezed costs – exacerbated by the pandemic – last year’s strikes and the challenge of tempting people away from lockdown-inspired home streaming.”Casual moviegoing, where you wait until the weekend to pick what to see, has pretty much been supplanted by streaming,” Erin Brockovich producer Michael Shamberg told Vanity Fair’s Natalie Jarvey for her aptly named article: Why Are Movies Sooooo Long? “Now when you leave your house to pay to see a movie, you want an emotional sure thing for your time and effort. You also want a bigger experience than streaming a movie in your living room,” he added.The knock-on effect of “event” cinema, increasingly tied to social media buzz, sees the industry – and cinemas themselves – reliant on goldrush titles, be it Top Gun: Maverick post-lockdown or Oppenheimer last year, to mask over the cracks of reduced pulling power. Image source, Scott Garfield/Paramount PicturesImage caption, The vast blockbuster success of Top Gun: Maverick, starring Tom Cruise, was credited with helping cinema stay afloat post-Covid lockdownAnd even taking Nolan’s popularity as a director into account, the mainstream success of Oppenheimer, on paper, a three-hour historical biopic, benefitted hugely from the Barbenheimer phenomenon: an accidental marketing dream.Barbenheimer was wonderful for cinema, Murphy saysImmersive screenings can weaken films – ScorseseOutside that near one-off event, the overwhelming temptation to “go long” seems to be partially wearing thin, with cinemas, audiences and directors.Cinema chains, says Clapp, can struggle with a flurry of longer films, as this “means less screenings”, choice and ultimately tickets sold – only a fraction of which can be made up by popcorn and fizzy drinks, or luxury seating. Image source, Warner BrosImage caption, Oppenheimer was released on the same day as Barbie – inadvertently creating the Barbenheimer phenomenon”We would never want to dictate creative licence, but there’s a desire amongst a proportion of the audience for a break,” he says, pointing to the potential for intermissions, and their confectionary window.Cinema chain Vue was among a handful worldwide to forgo distribution agreements and trial intervals during Killers of the Flower Moon. “Analysis showed customers would like to see the return of intermissions,” Vue’s chief executive, Tim Richards, told The Guardian last October. “We’ve seen 74% positive feedback from those who have tried our interval.”Clapp describes it as a “live debate” especially with intermissions remaining in other global markets. “The concern is that wherever you drop the curtain, so to speak, you’ll kill the narrative structure, but this doesn’t need to be the case with careful planning – arguably people getting up midway through a film causes more disruption,” he says.Image source, Universal PicturesImage caption, Oppenheimer’s runtime revived debate about audience intermissions, but Robert Downey Jr. also noted Nolan’s strictness about cast toilet breaks on setScorsese, for his part, urged viewers to show “commitment” to cinema, lambasting complaints in light of TV binge-watching at home.”You can sit in front of the TV and watch something for five hours… there are many people who watch theatre for 3.5 hours … give cinema some respect,” he told Hindustan Times.But not every director agrees. As Holdovers’ mastermind Alexander Payne bemoaned: “There are too many damn long movies these days.” Lengthy runtimes, he added, should always be “the shortest possible version”.For Nolan, the relationship with the audience remains foremost in his mind: “I view myself as the audience. I make the films that I would really… want to watch,” he told BBC Culture editor Katie Razzall.For younger audiences however, frequently cast as rejecting long-form viewing in the age of TikTok and YouTube shorts, Nolan’s epics – often near three hours – should not appeal.Image source, Getty ImagesImage caption, Dune director Denis Villeneuve says younger audiences “crave meaningful content” over shorter runtimesBut Dune director Denis Villeneuve says Oppenheimer’s success proves the opposite. He argues younger audiences value watching and paying for longer films, provided they offer “something substantial”. “They are craving meaningful content,” he told The Times.Dune: Part Two, released last week, outlasts the original film’s 155-minute runtime by ten minutes, providing five hours of desert adventure in total.One nationwide chain, Showcase Cinemas, offered both instalments back-to-back across the opening night. Hopefully there was an intermission. Related TopicsStreamingBafta AwardsThe OscarsBritish cinemaFilmCinemasMore on this story17 facts you need to know about this year’s OscarsPublished23 hours agoBarbie misses key Oscar nods for Gerwig and RobbiePublished23 JanuaryBarbenheimer was wonderful for cinema, Murphy saysPublished7 FebruaryLily Gladstone: The actress who could make Oscars historyPublished30 JanuaryCan anything stop Oppenheimer’s march to the Oscars?Published14 January10 things we spotted in the Oscars class photoPublished13 FebruaryTop StoriesLive. 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VideoThe state of the union is… Americans fill in the blank’My AI twin may get me more modelling work’Elsewhere on the BBCFrom the bagpipes to New Labour…Alastair Campbell is passionate about his interests and deeply tribal in his allegiancesAttributionSoundsCan you sort the facts from the fibs?Two of the statements are true, one is an out and out lie…AttributionBitesizeA satirical look at the scheming world of PRCharles Prentiss and Martin McCabe embark on a new career as spin doctorsAttributionSoundsA floppy disc that transformed the music sceneHow a chance encounter changed the fortunes of New Order and Factory RecordsAttributionSoundsMost Read1Rust film armourer guilty over shooting death2Hunt cuts NI but is told ‘Britain deserves better’3The world’s largest robots are setting sail4Budget: Key points at a glance5Australian charged over high-profile disappearance6Chris Mason: No fireworks but tax cuts headache for Labour7Lives at risk due to Clare’s Law delays – daughter8Hottest February marks ninth new monthly record9Afghan judge hunted by Taliban wins High Court case10Body search case police speak to killer in Trinidad](https://newsinsightplus.com/wp-content/uploads/https://ichef.bbci.co.uk/news/1024/branded_news/12FF6/production/_132841877_hggettyimages-2020817955.jpg)
![BBC HomepageSkip to contentAccessibility HelpYour accountLiveNotificationsHomeNewsSportWeatheriPlayerSoundsBitesizeMore menuMore menuSearch BBCHomeNewsSportWeatheriPlayerSoundsBitesizeCBBCCBeebiesFoodClose menuBBC NewsMenuHomeIsrael-Gaza warCost of LivingWar in UkraineClimateUKWorldBusinessPoliticsCultureMoreTechScienceHealthFamily & EducationIn PicturesNewsbeatBBC VerifyDisabilityScience & EnvironmentMore climate records fall in world’s warmest FebruaryPublished3 hours agoShareclose panelShare pageCopy linkAbout sharingRelated TopicsClimateImage source, Getty ImagesBy Mark PoyntingClimate and environment researcher, BBC NewsLast month was the world’s warmest February in modern times, the EU’s climate service says, extending the run of monthly records to nine in a row.Each month since June 2023 has seen new temperature highs for the time of year.The world’s sea surface is at its hottest on record, while Antarctic sea-ice has again reached extreme lows.Temperatures are still being boosted by the Pacific’s El Niño weather event, but human-caused climate change is by far the main driver of the warmth.”Heat-trapping greenhouse gases are unequivocally the main culprit,” stresses Prof Celeste Saulo, Secretary General of the World Meteorological Organization.Carbon dioxide concentrations are at their highest level for at least two million years, according to the UN’s climate body, and increased by near-record levels again over the past year.Those warming gases helped make February 2024 about 1.77C warmer than “pre-industrial” times – before humans started burning large amounts of fossil fuels – according to the EU’s Copernicus Climate Change Service. This breaks the previous record, from 2016, by around 0.12C.These temperatures saw particularly severe heat afflict western Australia, southeast Asia, southern Africa and South America. The 12-month average now sits at 1.56C above pre-industrial levels – after the first year-long breach of 1.5C warming was confirmed last month.Back in 2015 in Paris, nearly 200 countries agreed to try to keep the rise in warming under 1.5C, to help avoid some of the worst climate impacts. That threshold in the Paris agreement is generally accepted to mean a 20-year average – so it hasn’t yet been broken – but the relentless string of records illustrates how close the world is getting to doing so.A really simple guide to climate changeWhat is the Paris agreement and why does 1.5C matter?Oceans and sea-ice under strainRecent records haven’t just been limited to air temperatures. Countless climate metrics are far beyond levels seen in modern times.One of the most notable is sea surface temperatures. As the graph below shows, the margin of records in recent months has been particularly striking.Researchers are keen to stress that the scale and extent of the oceanic heat is not simply a consequence of the natural weather event known as El Niño, which was declared in June 2023. “Ocean surface temperatures in the equatorial Pacific clearly reflect El Niño. But sea surface temperatures in other parts of the globe have been persistently and unusually high for the past 10 months,” explains Prof Saulo.”This is worrying and cannot be explained by El Niño alone.”What are El Niño and La Niña, and how do they change the weather?Ocean warming has prompted concerns about the mass bleaching of coral reefs. It also raises global sea-levels and can help to fuel higher intensity hurricanes. Unusually warm waters may also have been a factor in another exceptional month for Antarctic sea-ice. The three lowest minimum extents in the satellite era have now occurred in the last three years.Scientists are struggling to explain exactly what’s going on. Until 2017, Antarctic sea-ice had defied predictions that it would shrink, unlike in the Arctic, where the downward trend has been much clearer. The apparent recent shift – occurring at the same time as other records are being broken around the planet – adds to concerns that Antarctic sea-ice may finally be waking up to climate change. “I don’t think you can say it’s coincidental,” Prof Martin Siegert, a glaciologist at the University of Exeter, told BBC News. “It’s absolutely frightening. The records are just off [the] scale.” Is the world warming faster than expected?Antarctic sea-ice at ‘mind-blowing’ lowAn end to El Niño in sightThere are signs that the run of global temperature records may finally come to an end in the months ahead.The 2023-24 El Niño has been one of the five strongest such events on record, the World Meteorological Organization announced on Tuesday, but it is gradually weakening. El Niño will continue to have an effect on temperatures and weather patterns for the next few months. “We would expect [El Niño] to continue to keep 2024 temperatures elevated at least through the first half of the year,” Dr Colin Morice, a senior scientist at the UK’s Met Office Hadley Centre, told BBC News.However, a switch to neutral conditions in the Pacific is likely between April and June, according to US science body NOAA, and a further switch to the cool phase known as La Niña could then happen between June and August.This would likely put a temporary lid on global air temperatures, with a cooler sea surface in the East Pacific allowing less heat to escape and warm the air. But as long as human activities keep releasing huge amounts of greenhouse gases, temperatures will continue rising in the long-term, ultimately leading to more records and extreme weather.”We know what to do – stop burning fossil fuels and replace them with more sustainable, renewable sources of energy,” says Dr Friederike Otto, senior lecturer in climate science at Imperial College London.”Until we do that, extreme weather events intensified by climate change will continue to destroy lives and livelihoods.”Related TopicsAntarcticEl NiñoParis climate agreementClimateSevere weatherMore on this storyWhy is the world getting warmer?Published8 FebruaryEngland and Wales had warmest February on recordPublished5 days agoWorld breaches 1.5C warming threshold for full yearPublished8 February2023 confirmed as world’s hottest year on recordPublished9 JanuaryTop StoriesHunt cuts National Insurance and extends child benefit as election loomsPublished7 hours agoChris Mason: No fireworks but tax cuts headache for LabourPublished4 hours ago’We know what’s coming’: East Ukraine braces for Russian advancePublished5 hours agoFeaturesChris Mason: No fireworks but tax cuts headache for LabourThe Papers: Hunt cuts NI but is told ‘Britain deserves better’The world’s largest robots are setting sail’We know what’s coming’: East Ukraine braces for Russian advanceDeath, disaster and redemption – England’s tumultuous tour of IndiaAttributionSportThe state of the union is… Americans fill in the blank. 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